Earlier cultural traditionsof tribes, religions, guilds, royal courts, and stateslargely controlled the craft, form, imagery, and subject matter of painting and determined its function, whether ritualistic, devotional, decorative, entertaining, or educational.Thus, an image repeated in different schemes of colour will express a different mood in each change.Many of these, with other modern painters, have also been sculptors and printmakers and have designed for textiles, tapestries, mosaics, and stained glass, while there are few mediums of the visual arts that Picasso did not work in and revitalize.

The flat, overlapping squares, circles, and triangles that create the pattern of a Romanesque mural, for example, become the interlocking cubic, spherical, and pyramidal components that enclose the grouped figures and surrounding features in a Renaissance or a Neoclassical composition.EnglishSo, I kind of believe that we're in like the "cave- painting " era of computer interfaces.The choices of the medium and the form, as well as the artists own technique, combine to realize a unique visual image.

He knows quite a bit about painting.Each hue has an intrinsic tonal value in relation to others on the chromatic scale; orange is inherently lighter than red, for instance, and violet is darker than green.Isn't that painting the wrong way up?